NEWS


Oct 2023 "Digital art, time, painting, sculpture and consciousness"

An essay on digital 3D time-based painting and it's differences in approach to art, in terms of the conscious and personal as opposed to art made by AI, Generative or Glitch technology, (which seems impersonal and not consciously made). And a critique of 3D time-based paintings metaplasticism possibilities and it's metamodernist foundation.

READ HERE


2023 "Something stirs" new collection of time based paintings on Niio.

Click here to see the collection "Something stirs"


2023 "Lines unleashed and hacked clouds" digital 3D paintings and animations new collection on Sedition

Click here to see the collection "Lines unleashed and hacked clouds" Click here for the interview


2023 IMAGE PLAY - International Video Art Festival Portugal 6 videos selected


2023 "Lines unleashed and hacked clouds" digital 3D paintings and animations new collection on Sedition

Click here to see the collection "Lines unleashed and hacked clouds" Click here for the interview

2023 "Love's Journey" digital 3D animations and paintings
Winner Mannheim Arts and Film festival, selected for these festival "Matadac" Spain, "File" Brazil, "Surrealist manifesto" and "Video Art and Experimental Film Festival" New York, New York Honorable mention, "Dumbo Film Festival NY" Semi Finalist

Click here see "Love's Journey"

2023 "Noonssup" digital 3D animations shown at Maison & Objet 2023

"The colour of feeling" 5 new digital 3D paintings on Sedition Art December 2022

"New forms and plasticity" 4 new digital 3d paintings on Niio December 2022

"Collection of half's" new NFTs on FoundationApp

Interview 2021 Beth Jochim

STATEMENT
I'm interested in the autographic in the digital medium, and how painting transitions into a time based medium. Painting in 3D in the digital realm is a fundamentally different medium with the possibility of making time based paintings. Animated paintings make narrative more important, even if its an abstract narrative. A paint stroke in the digital realm becomes something that transcends what we are used to thinking about as the possibilities of painting. I see digital painting as a different medium to traditional art practices but with shared values, shared visual languages, shared symbols and psychological responses, it's just a continuation of modern art practice in a new medium.

My works visual influences come from a wide range of visual sources from the last 100 years. The themes of my work come from the crossover of comparative philosophy, psychology and a deep love of nature.